Image Credit: Reynolds, Joshua. Portrait of Samuel Johnson. 1775. Oil on Canvas. Huntington Library, Art Museum, and Botanical Gardens.Wikimedia Commons, Wikimedia Foundation
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Valerie Khaskin-Felendler |
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Anna Yevelson-Shorser |
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| Sabina Abdulaev 08-6461419 abdulaev@bgu.ac.il Middle East Studies |
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| Shir Shmuely 08-6461420 shirshmu@bgu.ac.il Hebrew Literature Hebrew Language |
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E-Mail: ruach@bgu.ac.il Humanities Reading Room (3rd Floor) |
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The Modern Language Association of America provides opportunities for its members to share their scholarly findings and teaching experiences with colleagues and to discuss trends in the academy. Full content of PMLA from 2002 to the present, as well as metadata for PMLA articles published before 2002 can be accessed at mlajournals.org.
Granta magazine aim to discover and publish the best in new literary fiction, memoir, reportage and poetry from around the world.
The magazine was founded in 1889 by students at Cambridge University as The Granta, a periodical of student politics. In 1979, Bill Buford and Pete de Bolla transformed Granta from a student publication to the literary quarterly it remains today. Each themed issue of Granta turns the attention of the world’s best writers on to one aspect of the way we live now.
ELT publishes articles on fiction, poetry, drama, or subjects of cultural interest in the 1880–1920 period of British literature. Submissions are typically 20–25 double-spaced pages. While we publish reviews of books about Joseph Conrad, Henry James, James Joyce, D. H. Lawrence, Virginia Woolf, and W. B. Yeats, we do not publish articles on such major figures unless the discussion is linked to less-prominent authors of the era. We do not publish unsolicited book reviews.
Gothic Studies is the journal of the International Gothic Association, and covers the field of Gothic studies from the eighteenth century to the present day, providing an international platform for dialogue and cultural critcism in the sphere of Gothic from within every period and media form.
The Georgia Review is the literary-cultural journal published out of the University of Georgia since 1947. While it began with a regional commitment, its scope has grown to include readers and writers throughout the U.S. and the world, who are brought together through the print journal as well as live programming. Convinced that communities thrive when built on dialogue that honors the difference between any two interlocutors, we publish imaginative work that challenges us to reconsider any line, distinction, or thought in danger of becoming too rigid or neat, so that our readers can continue the conversations in their own lives.
Agenda is a highly respected poetry journal, founded in 1959 by Ezra Pound and William Cookson. Agenda is one of the two literary periodicals in Britain. It is attentive to all kinds of contemporary poetry… and consistently stresses the importance of poetry in translation from other languages. Agenda stimulates and sponsors new poetry by poets whose writings and espousals have given the magazine its personality from the beginning. Agenda has a second important function which it discharges by doing work of critical advocacy for poets of marked or under-rated achievement.
Agenda comprises poetry, critical essays and reviews in general anthology issues, special issues which focus on a well-known poet alive or dead, and international issues. A general selection of poems and essays also appear in each issue.
The Iowa Review's mission is to provide an expertly curated, carefully edited, and beautifully designed print and online space for the voices of writers of every kind of diversity to move and enlighten us; to use the experience gained from fifty-plus years of continuous publication and our connection to the University of Iowa as a home for creative writing to validate, amplify, and encourage those voices; and to serve the reading public by presenting the best contemporary writing in short fiction, poetry, and creative nonfiction.
Modern Language Quarterly accepts articles that pay attention to the broader scope of literary history regardless of genre or period. The focus of publication—and the sticking point—is literary history. General theory, historicist contextualizations, and self-contained close readings are not published. Essays should concern the situation and the action of literary works in time. Chronology must matter to an essay's argument or theoretical concern, together with the impact or interrelationship of imaginative texts.
Promotes the British Shakespeare Association’s goal to bridge the gap between literary and performance-based criticism of William Shakespeare.
Clio: A Journal of Literature, History, and the Philosophy of History, a double-blind peer-reviewed international interdisciplinary journal, publishes scholarly essays that explore the connections between history, literature, and the arts. Clio is interested in the interconnectedness of these disciplines, as well as the philosophical work that supports these kinds of inquiries. Clio publish researched essays at the intersections of these disciplines—that is, not simple expositions of historical events or uncontextualized “readings” of literary texts, but articles that are interdisciplinary in argument and method.
